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Reality and Illusion of the Everyday-Life


- Indoor Scenery with flowers

by Prof. Jae-Kil Yoo, the Art Critic


This is an Illusion of everyday-life. It is a reality and virtual reality of illusion that as if it exists but at the same time it doesn't exist and as if it describes a reality but simultaneously it isn't reality. This work is full of visual illusion with colorful hue. The heroes are flowers and objects. The objects and flowers that drawn In original colors like red, blue, and yellow, etc., are colorful and show the genuine colors and forms. There are table and chair around the flowers and comfortable sofa. The splendid wall decoration attracts our eyes. Without using the perspective we can't feel the distance but also can't feel disorder. Because the flowers, the vase, the cup, the chair, and the other things that were drawn by one point of view, the each objects have harmony and order in themselves. We fall into the illusion of reality and virtuality gradually.

The gorgeousness of original colors in Kyung Hwa Kim's 'Indoor Scenery with Flowers" connects to the Expressionist painting or Fauvism which pursues the genuineness. Her work requires the visual communication through pure colors rather than the descriptive representation of objects, and focuses on color expression of inserted subject. The artist tells us that these purity of colors can be found in "saekdong" -Korean traditional clothes with stripes of many original colors or "Danchung"-a picture of many original colors and designs. The artist has been absorbed in the color study with an attitude of inquirer searching and seeking the harmony of genuine colors.

In her work the figure is very simple in contrast with colorful hue. It refuses the distinct outline and omits cubic contrast or shadow. There remains the minimum image shape that makes us recognize what it is. The objects are satisfied as the still face of a temporary stop just Like croquis. The simply described forms are easily recognized and are not distorted. This is the transformed figure that emits the warm human odor not tragic nature of objects.

On the other hand, the important thing in Kim, kyung-hwa's "Indoor Scenery with Flowers which emphasizes the subjective expression of colors and form is picture composition. The arrangement of objects having no perspective brings on disorder. But her works are never disordered. The painter establishes the order of picture by drawing from her unique point of view. That Is, in almost every indoor scenery she controls the neighbor ornaments centering around flowers without concerning distance and draws cubic things evenly. This is the construction which emphasizes left-right and up-down composition. This construction is different from the child's drawing or the naive painting that gives distance from different sizes.

In the 'Indoor scenery with flowers' the visual beauty comes not only from simple color's richness or genuine expression of form. It comes from, above all, the picture composition and order established by her unique point of view. In a few works, artist makes several squares on the left side of picture intentionally, so separated from the indoor scenery completely. As if we see the two independent spaces. This is the abstractive space that combines invisible indoor objects with visible indoor scenery. The artist establishes the new order in canvas and makes the visual illusion through the abstractive space in and out of reality. The space experiment like this makes very distinctive picture composition. The typical examples are 'Autumn's telling about...' and 'Flowers blooming from yearning' that shows us two independent space. As you can see in 'Autumn's telling about...',there are the big flower and indoor dining table on the left side and six objects in six squared frames on the right side. The background and flowers which straightly reveal the splendid original colors : red, blue, yellow, etc, have relations with each others showing their independent story. This is the experiment of visual illusion that makes us confirm the object itself and think about the virtual world.

The appreciator have experience like illusion based on not only artist's story about autumn but reality. But in 'Indoor scenery with flowers' illusion is never surrealistic illusion. It's a naive life story around our neighbors and imaginary world close to reality.

We can confirm these things from most of Kyung Hwa Kim's work titles. In 'Arie's Morning at Ten O'clock is ....', 'Arie's Evening at Seven O'clock is ...', 'A letter', 'Waiting for a friend', a part of indoor scenery was painted with colorful hue and it makes appreciator go back and forth from illusion.

Kyung Hwa Kim, who draws beautiful illusion in reality gives questions to herself. "Should the painting be beautiful and painting-like?", "What is the beautiful things?" We feel that the word "beauty" becomes so out of fashion and worn-out thing nowadays. But with the same materials like flowers and indoor scenery, she finds the numerous changes and catches the beautiful moments in it every time she works. The artist confirms to search the world of endless visual beauty with formation of life not with repetition of the same materials and colors.

In the recent works since 1997, the artist has given the new change on formative expression. The formative change is to omit the description of details gradually in the series of works produced recently : 'A memory from Sydney', 'Pine flower in the aroma of Acacia', 'A breath of spring air', the object is magnified and filling up the picture or only drawn in bold lines not painted with colors. This change is recognized not as the new formative experiment but as the meaning emphasis that gives change to theme. The expression which magnifies visual objects boldly and omits colors gives change and stimulus of emotion. It's the formative experiment same to emotional subjectivity found in Expressionist Painting. This change often lets fall the pictorial perfection and seems to be dangerous. When to stop is the most important task of artist.

We have sympathy about the harmony and imaginary expression by looking gorgeousness of colors, simplicity of form, order of composition, and harmony that she has searches so far including the recent work change of Kyung Hwa Kim. So we give praise for her capacity and labor to seek for the meaning of living and endless change of life from the same material. She has produced many works from the small works to the greats. Her labor and artistic sincerity that experiments the unique composition and visualization is very surprising. Moreover showing the approval with the unique atmosphere presentation of artist that brings about common aesthetic sense with subjects of everyday-life, we become to have great expectation about new change of work world.










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